Hmv-d1147-04898

Audio track information

Title/Work	Requiem in D minor, K 626
Subtitle/Content	a) Kyrie Eleison b) Dies Irae
Author(s)/Composer(s)	Wolfgang Amadeus Mozart (1756 - 1791)
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Genre(s)	Requiem Masses
Language	lat
Conductor(s)	Charles Kennedy Scott (1876 - 1965)
Performer(s)	London Philharmonic Choir (Choir,1947 - )
Inventory number	This file has no Inventory number. Please add here the Inventory number if available. Example: 10-78-VOCALM-A-00001A means 10-inch record, 78 rpm, vocal music, performer with surname "A", record 00001, side A. Notify the uploader with: {{subst:add-desc-I|1=Hmv-d1147-04898}}
Label	His Master's Voice
Part of record	D 1147
Matrix/StamperID	C4898, CR288III
Recording location	Queen's Hall, Langham Place, London (United Kingdom)
1st recording date	1926/07/06
1st release date	1927
1st release location (origin)	GB
References	https://en.wikipedia.org/wiki/Charles_Kennedy_Scott#Recordings_2 Mozart: Requiem Mass, K 626 (abridged version): Requiem aeternam, Kyrie, Dies Irae, Domine Jesu Christe, Hostias, Agnus Dei, Lux aeterna, Cum sanctis tuis. Soloists, Philharmonic Chorus and Orchestra, directed by C. Kennedy Scott, 6 July 1926, Queen's Hall (3 12" 78rpm, HMV D 1147-49: others unpublished) https://web.archive.org/web/20101121073419/http://www.damians78s.co.uk/html/charles_kennedy_scott.html Mozart Requiem Agnus Dei - Lux aeterna Cum sanctis Garda Hall, soprano Philharmonic Choir, Orchestra, Charles Kennedy Scott His Masters Voice D 1149 Matrices: CR 550-IA, 551-II (04879, 04880) Recorded 6th July 1926, Queens Hall, London The Requiem consists of the following sections: 1. Requiem aeternam Kyrie 2. Dies Irae 3. Tuba Mirum 4. Rex Tremendae Majestatis 5. Recordare 6. Confutatis 7. Lacrymosa 8. Domine Jesu 9. Hostias 10. Sanctus and Hosanna 11. Benedictus 12. Agnus Dei, Lux aeternam & Cum sanctis Kennedy Scott recorded 9, 1b & 2, 8, 7 & 10 and 3 on April 12th 1926. None of the takes were used. In the second session on 6th July 1926 he recorded 9, 1b & 2, 8, 7 & 10, 1a, 4 & 6 and 12 (2 sides given here). From this session, parts 1a, 1b & 2, 8, 9 and 12 were issued. The soloists were Garda Hall, Nellie Walker, Sydney Coltham and Edward Halland. The solo trombone in Tuba mirum was Jesse Stamp. Thus only parts 5 and 11 were not attempted both feature just the solo quartet (though this is also the case for 3). If the unissued matrices still exist, then there is a virtually complete 1926 Mozart Requiem lurking in the archives. Interestingly, in the early recorded history of this work, Albert Coates was recorded live in 1927 conducting the Dies irae, Rex tremendae and Sanctus this was at the same concert where Chaliapin performed Rimsky-Korsakovs Mozart and Salieri.

Licensing

This work is in the public domain because its copyright has expired. This applies to Switzerland and those countries with a copyright term of life of the author plus 70 years and a copyright term of 70 years after the first publishing date. (Copyright Act, CopA) Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years, Russia has 74 years for some authors. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term.

This work is in the public domain because its copyright has expired. This applies the European Union and those countries with a copyright term of life of the author plus 70 years and a copyright term of 70 years after the first publishing date. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years, Russia has 74 years for some authors. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term.

	This work is in the public domain because its copyright has expired. This applies worldwide.

PD GB	1998
PD CH	1978
PD EU	1998
PD USA	1978
PD INT	1998